Henry Thomas (1874 – 1930) was an American country blues singer, songster and musician. Although his recording career, in the late 1920s, was brief, Thomas influenced performers including Bob Dylan, Taj Mahal, the Lovin’ Spoonful, the Grateful Dead, and Canned Heat. Often billed as “Ragtime Texas“, Thomas’s style is an early example of what later became known as Texas blues guitar. Thomas was born into a family of freed slaves in Big Sandy, Texas, in 1874. He began traveling the Texas railroad lines as a hobo after leaving home in his teens. He eventually earned his way as an itinerant songster, entertaining local populaces as well as railway employees. He recorded 24 sides for Vocalion Records between 1927 and 1929, 23 of which were released. They include reels, gospel songs, minstrel songs, ragtime numbers, and blues. Besides guitar, Thomas accompanied himself on quills, a folk instrument fabricated from cane reeds whose sound is similar to the zampona played by musicians in Peru and Bolivia. His style of playing guitar was probably derived from banjo-picking styles.
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Going Up The Country (Bull Doze Blues 1928)
Fishin’ Blues
Old Country Stomp
Run Mollie Run
Charmin’ Betsy
Shanty Blues
Cottonfield Blues
The Fox and the Hounds
Bob McKinney
Red River Blues
Don’t Leave Me Here (Don’t Ease Me In)
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